“In Between” Lyrics

Album: Minutes to Midnight

Artist: Linkin Park

Genre: Alternative rock

Lyrics:

Let me apologize to begin with
Let me apologize for what I’m about to say
But trying to be genuine
Was harder than it seemed
And somehow I got caught up in between

Let me apologize to begin with
Let me apologize for what I’m about to say
But trying to be someone else
Was harder than it seemed
And somehow I got caught up in between

Between my pride and my promise
Between my lies and how the truth gets in the way
Bhe things i want to say to you
Get lost before they come
The only thing that’s worse than one is none

Let me apologize to begin with
Let me apologize for what I’m about to say
But trying to regain your trust
Was harder than it seemed
And somehow I got caught up in between

Between my pride and my promise
Between my lies and how the truth gets in the way
The things I want to say to you
Get lost before they come
The only thing that’s worse than one is none
The only thing that’s worse than one is none

And I cannot explain to you
In anything I say or do or plan
Fear is not afraid of you
But guilt’s a language you can understand
I cannot explain to you
In anything I say or do
But hope the actions speak the words they can

For my pride and my promise
For my lies and how the truth gets in the way
The things I want to say to you
Get lost before they come
The only thing that’s worse than one is

Pride and my promise
Between my lies and how the truth gets in the way
The things I want to say to you
Get lost before they come
The only thing that’s worse than one is none
The only thing that’s worse than one is none
The only thing that’s worse than one is none

Album Info:

41KVkjQYMEL In Between Lyrics Linkin Park

Minutes to Midnight
Minutes to Midnight stands to defend Linkin Park’s status as the hardest-rockin’ softies in mainstream music. Like its predecessors Hybrid Theory (2000) and Meteroa (2003), Minutes to Midnight flexes plenty of decibel-heavy muscle (“Given Up,” “Bleed It Out,” “No More Sorrow”) and made-to-order, melodic radio fare (“Leave Out All the Rest,” “Shadow of the Day,” “In Pieces”). But for all its volume, Linkin Park likes to paint its heart openly on its sleeve with suspicious sonic drama, as in the palpably saccharine “Valentine’s Day.” Fortunately, co-producer Rick Rubin brings all these elements to pinnacle effect with the surprise “Hands Held High.” On past efforts, the combination of breezy keyboard, arpeggiated guitar, choral vocals, and a military snare-beat would yield another slab of smarm, here MC Mike Shinoda drops the two best verses of his career, blending vocal styles with singer Chester Bennington for a moving piece that’s as welcome a repertorial addition as Linkin Park is ever likely to muster. –Jason Kirk

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