“Valentine’s Day” Lyrics

Album: Minutes to Midnight

Artist: Linkin Park

Genre: Alternative rock

Lyrics:

My insides all turned to ash / So slow
And blew away as I collapsed / So cold
A black wind took them away / From sight
And now the darkness over day / that night

And the clouds above move closer
looking so dissatisfied
but the heartless wind kept blowing, blowing

I used to be my own protection / But not now
Cause my path had lost direction / Somehow
A black wind took you away / From sight
And now the darkness over day / That night

And the clouds above more closer
looking so dissatisfied
and the ground below grew colder
as they put you down inside
but the heartless wind kept blowing, blowing

So now you’re gone
And I was wrong
I never knew what it was like
To be alone

On a Valentine’s Day
On a Valentine’s Day
On a Valentine’s Day
On a Valentine’s Day

On a Valentine’s Day
I used to be my own protection
On a Valentine’s Day / But not now
On a Valentine’s Day
Cause my mind has lost direction
On a Valentine’s Day / somehow

On a Valentine’s Day
I used to be my own protection
On a Valentine’s Day / But not now
On a Valentine’s Day
Cause my mind has lost direction
On a Valentine’s Day / Somehow

Album Info:

41KVkjQYMEL Valentines Day Lyrics   Linkin Park

Minutes to Midnight
Minutes to Midnight stands to defend Linkin Park’s status as the hardest-rockin’ softies in mainstream music. Like its predecessors Hybrid Theory (2000) and Meteroa (2003), Minutes to Midnight flexes plenty of decibel-heavy muscle (“Given Up,” “Bleed It Out,” “No More Sorrow”) and made-to-order, melodic radio fare (“Leave Out All the Rest,” “Shadow of the Day,” “In Pieces”). But for all its volume, Linkin Park likes to paint its heart openly on its sleeve with suspicious sonic drama, as in the palpably saccharine “Valentine’s Day.” Fortunately, co-producer Rick Rubin brings all these elements to pinnacle effect with the surprise “Hands Held High.” On past efforts, the combination of breezy keyboard, arpeggiated guitar, choral vocals, and a military snare-beat would yield another slab of smarm, here MC Mike Shinoda drops the two best verses of his career, blending vocal styles with singer Chester Bennington for a moving piece that’s as welcome a repertorial addition as Linkin Park is ever likely to muster. –Jason Kirk

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